Tag Archives: Editing

On-The-Road Editing

I know. It’s the festive season and everybody’s posting festive stuff. And so will I, very soon. In the meantime, however, life goes on and work needs to be done.

I recently finished editing my second book, Sophie’s Run, using fabulous input from my editor over at Sapphire Star Publishing. This was a fast-track, polish-it-up edit such as I haven’t done in a long time. And do you know what? It was totally exhilarating. I am so happy with the result, I haven’t stopped smiling since. (Better still, Katie and Amy at Sapphire approve too ~ happy dance).

But here’s the really juicy bit. The edits landed in my inbox just before I was due to leave for the RNA Winter Party. Well, what’s an author to do when she’s got a long train ride ahead of her, all the way to London and then back again? Plus some unexpected ‘downtime’ in a quiet hotel room with no distractions? You got it. A spot of on-the-road editing. In fact, I marked up seventy percent of the manuscript during the two-day trip.

And the moral?

Actually, there are two. One, there’s no such thing as a wasted train journey. And two, my brain definitely kicks into high gear on the road.

When the hotel grows quiet, the author gets editing!

When the hotel grows quiet, the author gets editing!

Scratch, scratch, replace, alter... in several colours for several rounds of thoughts. And the whole thing looked amazing once it was 'clean' back in Word.

Scratch, scratch, replace, alter… in several colours for several rounds of thoughts. And the whole thing looked amazing once it was ‘clean’ back in Word.

Have manuscript, will edit... even on trains, in planes and automobiles!

Have manuscript, will edit… even on trains, in planes and automobiles!

Do you enjoy editing (or writing) in unusual environments?

Oh. And here’s the thing. Sophie’s Run is currently undergoing proofing and I’m awaiting the fair copy for author approval. Because yes, this baby is coming your way on 7 February 2013 ~ watch this space!

Criminal overuse

Editing.

A couple of weeks ago, I wrote about my scary alter ego, the Queen of Hearts, who helps me to cut the length of my manuscript. The carnage of Sophie’s Run is complete, and I dropped below the target word limit. Mission accomplished!

However, there’s more to editing than the structural stuff. There is the fine-tuning, too. Today, I share three of my personal red flags: exclamation marks, the humble word, ‘just’, and the humbler still word, ‘then’. (I’m going to bore you with serial commas and other fine points of grammar some other time).

JUST THEN! I’m a liberal sprinkler in a first draft…

Just! Then! !!
Exactly. These three things feature heavily in any of my first drafts. There is a very simple reason for this, which is that I write as I would tell  the story out loud, with flourish and panache and a lot of excited gesturing. Alas, the written word is a little less forgiving. Or perhaps it is more forgiving as it doesn’t need as many of these filler words and marks. The reader is generally with the story, paying attention, reading eagerly. And she will notice if I use the word ‘then’ five times in a row.

Thankfully, writing is not like cooking. It is perfectly ok to overegg the pudding, lean heavily on the salt and make free with the pepper because you can take it all out at the end. And that’s what I have been doing.

Get this. I had 750 (give or take) exclamation marks in the first draft of Sophie’s Run. I’m surprised none of the characters had shouted themselves hoarse.

I found 450 occurrences of the word ‘then’ and 500 occurrences of ‘just.’ Shocking, I know.

…but I carry out a vendetta on my liberalism when I polish the manuscript.

The exclamation points were easy. I clicked through them (yes, all of them) and took most of them out, except where shouting or emphasis was indicated. There are less than 150 exclamation marks left which, in a word count of 119,281, is a lot more acceptable. We’ll see what my fabulous editor over at Sapphire Star Publishing makes of that number. I’m fully expecting to cut some more.

Eliminating ‘just’ was an electrifying experience. I discovered a whole array of alternatives, and got some amazing insights into the many varied meanings of this humble little word. Of course, I knew all of that instinctively, having previously learned it formally at school, but I hadn’t given it much conscious thought for a while. Viable alternatives include, but are not limited to:

simply
only
exactly
precisely
at that point

Interestingly, there was many an instance when ‘just’ just wasn’t needed. It could go. Completely. It was a filler. An empty word. A naughty word cluttering up my word count! Be off with you, just!

So I thought I’d seen the worst of my criminal overuse, but no. I hadn’t even started until I touched then. See, then was everywhere. And I mean everywhere. I found one sentence with three lots of then in it. Obviously it wasn’t as clumsy as ‘then, and then, and then.’ No, my writing, even in its unpolished stage, is a little more refined than that. But still, a lot of then‘s were being had. Too many.

Most of them went. Yup, eliminating then was a killer experience. And the then‘s that stayed? They had a legitimate reason for staying.

However, something even more riveting happened while I was on my then extermination spree. As Word displays searched-for terms in their context, I found some highly amusing typing mistakes. Gone now, kapow! I found and seized opportunities for linguistic variety: kerr-ching, done! I cut out a couple of sentences altogether. Eureka.

Even though I focused on three red flags, I ended up polishing the entire manuscript and I am delighted with the result. The changes are subtle but they make me happy. I sent the manuscript off to Sapphire Star this lunchtime… and here’s to hoping that my editor feels the same about it as I do! Because that, of course, is the real test. I promise to keep you posted on how that goes, too.

Until then, I’d love to hear about your red flags. Which words or phrases do you criminally overuse?

Me, and the Queen of Hearts: Split Author-Personality Syndrome

Editing.

This little word puts the fear of God in a lot of writers. #amediting is an oft-seen hashtag frequently accompanied by wailing and proverbial gnashing of teeth. Many authors, me included, confess to a certain amount of dread when it comes to editing.

I wonder why. Because when it comes to it, I perversely enjoy it. Ignore the initial pain and frustration; once I knuckle down, I find the process quite exhilarating and ultimately rewarding.

My work process involves two broad types of editing. ‘Me’ editing, aka the author edit. And publisher editing, aka… well, publisher editing. Right now, for my second novel, I am working through stage one, ‘me’ editing.

Having let the manuscript rest for a good few months, I have taken another good, fresh look at it and got the red pen out. Why? Well, for one, I had to. I know Sophie’s Run is at least twenty-five thousand words too wordy for commercial publication, so they had to go. And second, because I wanted to. I felt the need. With a bit of distance, I wanted to go through my work and make sure that it still zings for me. There are certain things I learned from the publisher edits of Sophie’s Turn that I wanted to apply rightaway. I’ll talk about that some other time.

Me. Myself. And HER.

Today, I want to talk about this weird split personality that I have discovered. There’s me, and there’s The Other. My Inner Editor. She of the Ruthless Cutting Mindset. The Queen of Hearts.

So, the cutting. The bloodlet. That’s the part I dread and fear most. And yet surprisingly, it’s turning out to be quite easy. I appear to have grown a second head, one that is dispassionate and detached and ruthless. An Inner Editor has quite unexpectedly and without invitation taken residence in this new, second head of mine that isn’t even attached to my normal pair of shoulders. I kid you not—that’s exactly what it feels like!

I might be reading along merrily, quite enjoying myself, when my Inner Editor pipes up, quite brusquely—not to say, rudely—and instructs me to cut, cut, cut. “Can’t you see,” she’ll tell me in no uncertain terms, “that while this scene is fun, it’s also just excess fat? It doesn’t advance the plot, it’s not necessary. Take it out. Use it some other time.” Honestly, she really is like the Queen of Hearts, all Off With His Head (or rather, Out With The Scene!). Thus out come the scissors, and my office floor swiftly resembles a cutting room floor.

Me… and HER. Isn’t she scary?
Would *you* argue with her?

She’s usually right. It’s not that what I was written was bad, or wrong. On the contrary, I am quite often deeply attached to the scene in question. But if it’s not essential, then it has to go. If I can transplant the joke somewhere else, I will. If I can tell it in fewer words, I shall. And the end result: a pacy, fast, page-turning read (if I say so myself) that is better than it was before.

How much has she made me cut? I don’t know yet. I was going to start putting these edits into my manuscript in Word but owing to a small computer crisis, I’ve had a small delay. I can tell you, though, that I have cut at least four chapters; that there isn’t a page without at least five lines crossed out; and that a lot of excess verbiage has been clipped. I’m not entirely sure whether I’ve culled the required 25K but I don’t think I’m far off. And there are a few scenes that I have point-blank refused to take out (yet) even though Inner Editor was spitting with fury at my ignoring of her very relevant suggestions. These are my back up, my cushion, my fall back. With those, I will scrape over the all important finish.

I’m zinging with zest. I have this tingling in my toes that tells me I’m on to a good thing. The book feels sumptuous yet lean, luxurious and fast. Thank you, Inner Editor, and please forgive all the abuse I hurled at you. I love you, really.

Of course, this isn’t it. When I’m done, Sophie’s Run goes back to Sapphire Star again; my lovely publisher, has, of course, already read my second masterpiece, but now it’s time for the full-on, no holds-barred, all-out publisher edits.

Bring it on!

How do you approach editing? Do you have your very own Queen of Hearts sitting on your shoulder?

The Serial Juggler: One’s Out, Two’s Done, Three’s WIP as the Rock Star Romance Trilogy takes shape

Did you know I can’t juggle? Not at all. I’m hopeless with balls in the air. I have no spacial vision whatsoever and any kind of ball games involve me scrabbling around ungracefully, feeling foolish.

But write and promote a Trilogy within a contracted timeframe with a publisher while also performing my day job as a mum? Yeah, bring it on! Right at this moment, I am juggling. I’m juggling promotion, editing, planning and writing, and I’m having a ball.

The Trilogy in Process. On the far right is Sophie’s Turn, all done and dusted. The cardboard boxes contain promotional postcards and bookmarks. In the middle is the first draft for Sophie’s Run. And the small pile of paper on the left contains the initial outline, all plans and some of the research for book 3! (Read on to find out more about that…)

Promoting, promoting, promoting

You all know my first book, Sophie’s Turn, is now out and available to buy. It’s been getting fabulous reviews in my 67-strong blog tour, and I’m doing interviews, guest posts, give-aways by the dozens. I’ve also had the local paper round to do a lovely little feature, and I’m hosting a ‘meet the author’ event at my local library in October. In addition, I’m planning to contact local book clubs, independent book stores, the WI, radio stations… you name it, I’m on a roll. I live on Twitter and Facebook as the great promotional rollercoaster goes through loop after looop. Rock on!

Editing, editing, editing

My second focus at this time is Sophie’s Run. It is completely written but at just over 149,ooo words for the first draft (yes, you read that right) it is slightly too long. I am going through page by page, scene by scene, chapter by chapter, looking for excess fat, unnecessary detours and undue verbiage in my quest to eliminate around 30,000 words from the first draft. God, that sounds a lot, right? But it will be done. I have about four weeks to get the slimline version to my lovely publishers over at Sapphire Star.

Moreover, the cover is being designed right at this time and it is going to be absolutely stunning. I don’t know when the cover reveal will take place, but rest assured, I will shout about it!

What happens in Sophie’s Run? Here’s a little taster…

Her famous star remains her rock while life takes her on a little detour…

Who says that the road toward true love is straight and even? Sophie is certainly discovering that it is anything but.

So she has finally found the man of her dreams. Well…she knows who he is, even though she hasn’t actually quite met him yet. When she misses her opportunity, her life goes crazy. Rock star and ex-fiancé, Dan, keeps getting in the way of her new romance—even if he is just trying to be helpful. A fire, an impromptu mini-trip with Dan, and a dreaded wedding later, Sophie is still struggling to meet the love of her life. Just as she is getting it together with her perfect man, best friend Rachel commits an act of unspeakable betrayal. And to top it all, her new boyfriend leaves her lying in the mud.

Sophie has had enough. Confused and distraught, she decides that it is time for radical change. Surprising herself and shocking her friends, she embarks on a secret that eventually gets her life back on track.

If you’ve enjoyed Sophie’s Turn, you’ll be in for a real treat, if I say so myself with all due humility. Sophie’s Run is due for release by Sapphire Star Publishing on 7 February 2013.

And planning, and writing, and planning, and writing

So then… what about the last part in the Trilogy? Well, my friends, this is all planned out and I will be writing it just as soon as I’ve sent Sophie’s Run back to Sapphire Star for proper publisher editing.

The working title is Sophie’s Encore and this book is due for release by Sapphire Star Publishing on 7 September 2013!! It’s too early to give you a teaser for this last part, but it will end the story with due style and panache. I promise you, you won’t be disappointed!

The workplan for Sophie’s Encore. Yes, I know it’s blurred! I wouldn’t want you to read it right now… that’d spoil all the fun! xx

See, so I can juggle. I can have three balls in the air, figuratively speaking. One book out, one book editing, one book writing. And so it goes… How do you cope with multiple projects (books or other) on the go?